But,the two major impactful sentiment scenes towards the end act as a saving grace. Second half loses the momentum completely with unwanted drags. But, for the present day, it is way too old and becomes a tiring experience.
The movie pattern follows director Vikraman’s style. In fact, it takes a while for the confusion behind Karthi’s family background to resolve as the title card narration was weird. There are many characters who appear without any motive. Villain's role backfires heavily as his scenes are a big joke due to artificial acting and poor characterization. Although her role is a key factor to move forward the story, her portions tend to lead to big dips in the progression. Direction is convincing, but the preachy treatment and melodrama present in the flow bores out the viewing experience. The screenplay misses out to engage or entertain and rather it goes on to test our patience at times. Pandiraj has packed a very thin script which has been witnessed by Tamil cinema audience for decades.
After a point, the emotions exceeds the dramatic limit. Nowhere the connect exists as the overflow of characters provide a tough fight for us to keep a track. There are countless number of side artists who have tiny roles to play and hence the impact doesn’t really hit. They also have good scope for performing in certain heart-warming places. Sathyaraj, Viji Chandrasekhar and the grandmother characters are powerfully constructed. Roles of Priya Bhavani Shankar and Arthana Binu takes the centre stage in the storyline and they both have played their roles decently. Soori has supported him nicely with some humorous counters that works here and there. He has scored well in the action scenes and with his natural dialogue delivery in the sentiment portions. He underplays at most sequences, which actually works at the later stage of the movie.
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